Two things I like about this camera; –. Autocord II added 220 film compatibility. Rollei filters are coated and are worth the additional cost. Aesthetically the Autocord is a nice looking machine. A liability coming from age, it’s common for the Autocord’s leatherette to crack and peel away. with the other; you don’t have to do the “Rolleiflex juggle”. Looking down at the meter, it gives you a number. Easy focus is aided by the viewing lens’ fast aperture of ƒ/3.2. If you don't like the adverts you can subscibe here and they will disapear. One more thing about the numbers: if you have an external meter that reads in EV (my Autocord has no meter, so I use a Weston hand-held) then setting the shutter and aperture sliders to add up to the metered EV will give the correct exposure. Do you remember the name of the person or repair facility? I do mostly portraits and the combination of the Autocord and Kodak Portra is a winning combination. Here are a few nudes I shot with it over the years – http://modelsociety.com/category-galleries-galleryview-imagedetail.aspx?id=129030&source=Portfolio&containerId=36239a5e-794c-48ed-8cc2-8b6f1539b997 http://modelsociety.com/category-galleries-galleryview-imagedetail.aspx?id=129033&source=Portfolio&containerId=36239a5e-794c-48ed-8cc2-8b6f1539b997 and my Twitter Banner here: https://twitter.com/adamalbrec. So the film is good, but to get the most of the format you need a good lens. My father purchased an Autocord in the late 50’s/early 60’s … used it for years as a small town newspaper reporter until he passed it down to me. The bane of many of these cameras is the autofocus lever. Actuation is smooth and light, and a readout on the top of the lens assembly allows the shooter to know the set aperture without any change in natural shooting position. I wasn’t too sure if the meter was accurate but relied on it when shooting. More than that, though, was the handling. Half of his entire pop-up shop was selling 5 x 5 iPhone shots. Luckily, the Autocord’s lens is fantastic, and it’s this fantastic lens that puts the Autocord in the same league as the German machines. Because of its sheer size, logic might dictate that the Autocord fails as a street photography camera. 5. Unfortunately, they tend to have unwieldy growths spurting from the otherwise concise design. Many things. The lens was really one of the better ones, after getting some marginal results with Rolleicords and Rolliflexes, most of my Autocords were all very ‘use-able’. Only the taking lense has its serial number. For as little as $1 a month, you can help support the upkeep of 35mmc and get access to exclusive content over on Patreon. It, too, seemed accurate, so I was delighted by the accuracy of the meter in this Minolta Autocord CDS. Post was not sent - check your email addresses! I’ve not hard an Autocord terribly long at all, but it endeared itself to me immediately. You slide the bar to focus, and the camera sits cupped in your hand. Are you sure your Autocord does not have a meter, it looks identical to mine which has a selenium meter behind the flip-up name plate. Film format : 120. . Most of what I’ve shot lately lends itself better to rectangular, but I’m sure I’ll find more ways to use 12 shots on my Y-12. This touch gives the camera a distinctive stateliness, and an impression of thoughtful design. It’s also generally impossible to preview depth-of-field, though this is again mitigated as the photographer gains experience. Minolta Autocord – Medium Format Camera Review, https://i2.wp.com/casualphotophile.com/wp-content/uploads/2014/11/minolta-autocord-review-6.jpg?fit=2052%2C1367&ssl=1, https://casualphotophile.com/wp-content/uploads/2020/01/james-square.jpg, Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Tumblr (Opens in new window), Click to email this to a friend (Opens in new window), https://i1.wp.com/casualphotophile.com/wp-content/uploads/2020/11/BANNER-1920x1080-1.jpg?fit=1920%2C1080&ssl=1, https://secure.gravatar.com/avatar/e7ed78af70fd8ce76583422856499fb8?s=96&d=mm&r=g, https://i0.wp.com/casualphotophile.com/wp-content/uploads/2020/10/rollei-SL66-camera-review-7-of-13.jpg?fit=1800%2C1012&ssl=1, https://i2.wp.com/casualphotophile.com/wp-content/uploads/2020/10/Aiden-Ektar-100-2-2-of-11.jpg?fit=1800%2C1013&ssl=1, https://casualphotophile.com/wp-content/uploads/2020/06/aiden-bell-1-1-of-1.jpg. Does anyone knows, or these were manufacturing and sold at the same time back in 1958? You make a very good point about the resurgence of square format photos, and in all honesty they’ve been around for quite some time, not just in 120, but also in 126 and 127 formats too. But a strip of Provia 100F transparencies is a little jewel, and the good ones are wonderfully satisfying, even if, at £1.50 a click, it will remain an occasional treat. Just ran across this and I have to say “kudos” for selecting one of the unsung TLR’s of the past! Classy and timeless, it’s essentially a black, rectangular box with silver trim. The Autocord continues to impress me with its sharpness and image quality, be it portraits, landscapes or anything in between. Save my name, email, and website in this browser for the next time I comment.

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